Fumetti Marvel
dtjaaaam:

Dani Moonstar - New York Comic Con 2013
Mutant, Defender, and more!

dtjaaaam:

Dani Moonstar - New York Comic Con 2013

Mutant, Defender, and more!

(Source: dtjaaaam.com)

tony-and-loki:

thefingerfuckingfemalefury:

cheskamouse:

craftastrophies:

edgebug:

Iron Man (2008): Deleted Scenes

Tony Comes Home

christ.

can you imagine though, jarvis all alone in tony’s malibu house? jarvis who of course doesn’t have any physical form at all, jarvis who at this point occupies just the house and tony’s phone—jarvis, who is dependent on tony for everything, who lives essentially in tony’s pocket, suddenly being completely alone for the first time in his silicon life.

and every ten minutes on the dot for days and days and days he accesses the latest news reports, re-calculating and re-calculating tony’s chances at survival, endlessly running the numbers. and nobody told him to do that. tony’s house was empty and dark and nobody told jarvis to keep an eye on the news but he did. jarvis could have just spun down his hard drives and gone into hibernate mode, but he didn’t.

no, he watched the news. he stood vigil. he waited and he hoped that his calculations were wrong. that one day he would be able to say welcome home, sir once more.

Emotional state: upset about robots.

Well yea, kids get upset when their parent isn’t around.

I HAVE SO MANY JARVIS FEELS RIGHT NOW

did you just get me upset over automated intelligence?

(Source: soirresponsible)

qwertee:

“Hydrulhu” is today’s tee on www.Qwertee.com going live in just 15 minutes!
Get this great design now for the super price of £8/€10/$12 for 24 hours only.
Be sure to “Like” this for 1 chance at a FREE TEE this weekend, “Reblog” it for 2 chances and “Follow” us for a 3rd chance (if you’re not already:) Thanks Guys!

qwertee:

“Hydrulhu” is today’s tee on www.Qwertee.com going live in just 15 minutes!

Get this great design now for the super price of £8/€10/$12 for 24 hours only.

Be sure to “Like” this for 1 chance at a FREE TEE this weekend, “Reblog” it for 2 chances and “Follow” us for a 3rd chance (if you’re not already:) Thanks Guys!

knitmeapony:

alykat86:

authorkurikuri:

tom-sits-like-a-whore:

who is on your team, captain?

#completely convinced marvel just finds the actual characters to play their parts

Marvel’s casting department cannot be beat. Literally all of the actors are their characters.

Sarah Halley Finn, casting director for Iron Man, Iron Man 2, Thor, Captain America, The Avengers, Iron Man 3, Thor: Dark World, Captain America: Winter Soldier, Agents of SHIELD, Guardians of the Galaxy, Avengers: Age of Ultron, Ant-Man, and every single Marvel one-shot. All hail the queen. 

ALL HAIL THE QUEEN!!!

ALL HAIL

(Source: ayyecaptn)

I was surprised there wasn't more brushwork / mixed media in the end credits to Winter Soldier, mainly just flat colours. Which is not to say they weren't awesome (they were!), but I'm curious how much of that was your choice vs the directors?

drdavidmrmack:

Oh, that look was my pitch for the film. It is my understanding that the filmmakers looked at pitches from many different designers for the look of the end credits.  And magically, they chose the concept that I offered. The one you saw is the fleshed out version of the one I sent in (in fact many images from the initial pitch made it into the actual film).  The only direction from the filmmakers that I had before doing the pitch for my look of the credit sequence, was that it should not look like any other Marvel film credits sequences that had come before. 

As you’d imagine (in a case like this, or any storytelling situation) I try to choose the right look and feel of the artwork for something based on the content and tone of the story. 

As you may know from reading my books, that’s the way I approach the art for the stories that I write.  I try to cultivate a different look, feel, atmosphere, storytelling style and rhythm that best expresses that particular story.  That’s why each of my stories have a different look, style, and often different media (each of the 7 volumes of KABUKI varies radically in visuals, based on the themes of that particular story).

The same way that as I writer, I ask myself “Is this part of the story best told in first person, or third? What is the best order to arrange the scenes? What is the most powerful way to introduce information?”  I ask those kind of story questions about the art too.

Beginning primarily as a writer, this gives me a liberty to look at the art through the lens of the story and try to come up with a visual tone that best communicates the story themes.

For this film, I got the feeling of a 70’s political intrigue thriller.  And I liked from the beginning the idea of doing it in black and white with a touch of red. The black and white, overlaps, and reflections, and reversals of them being a metaphor for not knowing who are the good guys or bad guys in the film.  A theme of the film.  I loved the idea of going with hard lines and edges for the graphics.  And discussed this with Sarofsky design studio from the beginning about going with this look, and we were on the same page.  So I drew the images like that from the beginning and most of those early drawings made it into the final cut of the film (with some tweaking in places), and I fleshed out the rest of the drawings based on that early visualizing of my pitch for the film. 

artistisutambler:

inthecomix:

MARVEL PREVIEW: ELEKTRA #2

Who is Cape Crow?

This May, the Marvel Universe’s deadliest assassin braves new dangers in ELEKTRA #2 – from critically acclaimed creators Haden Blackman and Mike Del Mundo! After the shocking events of the first jaw-dropping issue of Elektra, the psychotic killer Bloody Lips is closing in on Marvel’s deadliest femme fatale. If she’s going to survive, she’ll first have to fight her way through the dangerous Monster Island in search of the elusive assassin known only as Cape Crow! What untold terrors lie on Monster Island – and is Elektra’s first mission back set to be her last? Blackman and Del Mundo weave another gorgeous issue about honor and redemption that has to be seen to be believed! Don’t miss the hauntingly beautiful ELEKTRA #2 when it hits comic shops this May!

ELEKTRA #2

  • Written by HADEN BLACKMAN
  • Art & Cover by MIKE DEL MUNDO
  • Variant Cover by CHRIS SAMNEE
  • On-Sale – 5/21/14

Chris Samnee on Tumblr

chrissamnee:

Daredevil #5 cover by me & thejaviercaster

chrissamnee:

Daredevil #5 cover by me & thejaviercaster

chrissamnee:

Daredevil: Original Sin teaser.  Art here by me with colors by thejaviercaster

chrissamnee:

Daredevil: Original Sin teaser.
Art here by me with colors by thejaviercaster

mcavoys:

lol seriously though i will never get tired of reading descriptions of charles’ red lips and blue eyes in fanfics like nothing will ever make me not love it

Spider-Man & Luke Cage

Spider-Man & Luke Cage