Fumetti Marvel
timetravelandrocketpoweredapes:

Marvel’s Girl Comics #3 Cover by Jo Chen

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timetravelandrocketpoweredapes:

Marvel’s Girl Comics #3 Cover by Jo Chen

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mondodinerd:

La famigliola del giorno: I Fantastici Quattro di Paolo Rivera.
awyeahcomics:

The Fantastic Four by Paolo Rivera


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mondodinerd:

La famigliola del giorno: I Fantastici Quattro di Paolo Rivera.

awyeahcomics:

The Fantastic Four by Paolo Rivera

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xombiedirge:

Sue Richards by Ricardo Jurado

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xombiedirge:

Sue Richards by Ricardo Jurado

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(Source: xombiedirge)

rraaaarrl:

… and then a thousand Thing/Doom ships set sail

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rraaaarrl:

… and then a thousand Thing/Doom ships set sail

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angelophile:

The Fantastic Four by Bobby Rubio. (Source)

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angelophile:

The Fantastic Four by Bobby Rubio. (Source)

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dcwomenkickingass:

spandexandsportsbras:

Hey Sue, congrats! It’s my birthday today too! (I am not 50, but I’m also not saying whether I’m older or younger than that!)

I love this tribute to Sue Storm.

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dcwomenkickingass:

spandexandsportsbras:

Hey Sue, congrats! It’s my birthday today too! (I am not 50, but I’m also not saying whether I’m older or younger than that!)

I love this tribute to Sue Storm.

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fyeahlilbitoeverything:

Laughing very hard at this series. Another:
I thought I would be above making a comment about how it looks like the Invisible Woman is taking a shit, but there it is.  I’m pretty terrified by this drawing, honestly.  This looks like it should be in an issue of Heavy Metal with VERY DIFFERENT THINGS happening to cause that expression.  Liefeld’s approach to drawing women?  Fat lips and plenty of eyeliner.  
Look at where her upper arm is going off-panel and where “her” “fist” re-enters the frame.  Also, any time he draws anyone running ANYWHERE, they always have their arms held straight out to their sides.  Like, I understand that you have to create the illusion of movement but I think what is more important is the illusion of me not hating you.

by Rob Liefeld

fyeahlilbitoeverything:

Laughing very hard at this series. Another:

I thought I would be above making a comment about how it looks like the Invisible Woman is taking a shit, but there it is.  I’m pretty terrified by this drawing, honestly.  This looks like it should be in an issue of Heavy Metal with VERY DIFFERENT THINGS happening to cause that expression.  Liefeld’s approach to drawing women?  Fat lips and plenty of eyeliner. 

Look at where her upper arm is going off-panel and where “her” “fist” re-enters the frame.  Also, any time he draws anyone running ANYWHERE, they always have their arms held straight out to their sides.  Like, I understand that you have to create the illusion of movement but I think what is more important is the illusion of me not hating you.

by Rob Liefeld

da qui

da qui

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sistervenom:

bwhahahabeck:

ZING.

omg the touches—the Namor portrait.  The Annihilus head.  I also like to think that they would totally discuss their sex lives except (lol amost wrote ‘sexcept’) Sue would put a moratorium on any discussions of Johnny.

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sistervenom:

bwhahahabeck:

ZING.

omg the touches—the Namor portrait.  The Annihilus head.  I also like to think that they would totally discuss their sex lives except (lol amost wrote ‘sexcept’) Sue would put a moratorium on any discussions of Johnny.

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